Ratings:M: 9.5
N: 8.5
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Gouache Portraits
The weeks-long activity that I wrapped up last Friday encompasses all my experience with gouache portraits. Here is what I have produced:
I'm fairly happy with it, in that naive-new-to-a-medium (gouache) and -genre (portrait) way, and will probably hate it for its blatant shortcomings once I grow into a good painter. Even now, having learned from the process, there are a few things I would change.I finally got the likeness right and transferred it to Crescent illo board. It was mounted on thin backing, and as soon as I laid down the toning wash, the board curled up. Also, the wash obscured a few of my pencil lines. Lesson 1: use thicker board. Press harder on transfer.
I mixed up the mid-range skin tones and painted those in. I wasn't careful enough and later found a few spots that were missing paint. Luckily the toning wash showed through (instead of white board). Lesson 2: Mix up more paint than you need, and keep the leftover dried-up mess handy until the very end. Also, keep each mixed color in its own well.
Once I was done, I was planning on blending some of the color "tiles" by softening the edges. I have found a tiny amount of info on the Internets about the gouache "tiling" technique, and thought I'd try it. Instead of nicely blending two adjoining tiles together, all I did was lift up the paint and make a mess. Luckily I learned Lesson #2 early, and had some paint to cover my ass. I still have no idea how tiling works. Lesson 3: Practice techniques before using them for something important. It's hard to cover mistakes in gouache.
I took photos of each step along the way. I'll post those next time... after the holidays. Merry Holidaytime, everyone!
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